The Insulted and Humiliated by Fyodor Dostoyevsky. Notes from the Underground by Fyodor Dostoyevsky. The Eternal Husband by Fyodor Dostoyevsky. White Nights by Fyodor Dostoyevsky.
The House of the Dead by Fyodor Dostoyevsky. Poor Folk by Fyodor Dostoyevsky. The objectivity of the scientist is often rejected by the romantic writer.
Similarly, the mysticism of the artist is in distinct contrast to the reductionism of many scientists. Despite this apparent dichotomy, there remains a unity of art and science.
Utilizing different media, artist and scientist alike strive to identify and describe essential truths. A striking example of this unity of art and science involves the neurosurgeon, Wilder Penfield, and the author, Marcel Proust. Link Link Link Link You must be logged in to post a comment. This site uses cookies. By continuing to browse the site, you are agreeing to our use of cookies.
We may request cookies to be set on your device. We use cookies to let us know when you visit our websites, how you interact with us, to enrich your user experience, and to customize your relationship with our website. It was first published serially in the journal The Russian Messenger in —9. The title is an ironic reference to the central character of the novel, Prince Knyaz Lev Nikolayevich Myshkin, a young man whose goodness, open-hearted simplicity and guilelessness lead many of the more worldly characters he encounters to mistakenly assume that he lacks intelligence and insight.
Prince Myshkin, a young man in his mid-twenties and a descendant of one of the oldest Russian lines of nobility, is on a train to Saint Petersburg on a cold November morning. You've discovered a title that's missing from our library. Can you help donate a copy? When you buy books using these links the Internet Archive may earn a small commission. Open Library is a project of the Internet Archive , a c 3 non-profit. Inspired by an image of Christ's suffering, Fyodor Dostoyevsky set out to portray "a truly beautiful soul" colliding with the brutal reality of contemporary society.
He stared out of the window, and fidgeted, and evidently longed for the end of the journey. He was very absent; he would appear to listen-and heard nothing; and he would laugh of a sudden, evidently with no idea of what he was laughing about. Lef Nicolaievitch? Karamsin must mention the family name, of course, in his historybut as an individual—one never hears of any Prince Muishkin nowadays.
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